White Zinfandel #1








































































White Zinfandel / Issue No. 1: Food

A biannual publication by W/———Project Space in collaboration with Leong Leong Architecture, White Zinfandel is devoted to the visual manifestation of food and culture produced within the lives of creative individuals. This inaugural issue is an homage to the restaurant Food founded by Gordon Matta-Clark, Caroline Goodden and Tina Girouard in 1971.

€17

GRAPHIC #19






















































GRAPHIC #19 / WHAT A BEAUTIFUL BOOK IS: BEST BOOK COMPETITIONS ISSUE

What does a beautiful book mean in this contemporary era? This issue of GRAPHIC features the best book competitions mostly in Europe. Through the interviews with the members of committee/jury and the designers’ comments on the winning books, this issue is looking for the meaning of beautiful book.

Anisha Imhasly / Arina Stoenescu / Cornel Windlin / Etienne Robial / Greger Bergvall / Julia Blume / Julien Magnani / Just Enschedé / Konstanze Berner / Lim Kyungyong / Pierre Huyghebaert / Uta Schneider / Vanessa van Dam

€20

ROLU 4 OMMU


ROLU 4 OMMU

ROLU is an art and design studio based in Minneapolis, Minnesota, USA

ROLU 4 OMMU is four pieces of furniture, two large modular adaptable chairs, Chair 1 and Chair 2, as well as A Desk and A Desk Chair, that are part of a new design ROLU made for OMMU’s store in Athens. Also produced in this project was a bookshelf that is based on a work by the artist Seth Price and a ladder. Price’s essay Décor Holes came to be an important part of our thinking as these pieces started to emerge. The writing discusses, in part, the “sample” as it exists in modern music and questions it raises about ownership. We started to ask ourselves “When does something… become something else?” We wanted the work we produced for this project to have a theoretical basis that pointed towards language. We also wanted to think about motion. We like to use the term “sitting as seeing” to describe a philosophical ghost we are chasing. The forms of these pieces are, in a sense, like “visual samples.” They are based on shapes found in drawings the choreographer Trisha Brown made in the early seventies. These drawings contain a sense of motion and it’s easy to see their visual connection to dance but, they also look like typography… like a written language we don’t quite recognize. And so we ask ourselves: When does a dance become a drawing? When does a drawing become a chair? Can a chair act as a kind of choreographer? Maybe we’ll never know but we love how they turned out and hope you do too!

A two sided 5-color Riso poster designed by Benjamin Critton for the release of ROLU 4 OMMU was originally available as part of MISS READ at the KW Institute for Contemporary Art in Berlin.
A book about ROLU’s work designed by Benjamin Critton will be published by OMMU in 2012.

ROLU4OMMU.COM
RO-LU.COM
OMMU.INFO

EINE #3








































































EINE #3

EINE is an annual published internationally out of Vienna.

Featuring: Albert Oehlen / Alexandros Tzannis / Jannis Varelas / Joep van Liefland / John Bock / Jonathan Meese / Markus Amm / Nick Oberthaler…

€18

Utopie



















Utopie / Texts and Projects, 1967–1978
Edited by Craig Buckley and Jean-Louis Violeau
Translated by Jean-Marie Clarke

The short-lived grouping of architects, sociologists, and urbanists known as Utopie, active in Paris from 1967 to 1978, was the product of several factors: the student protests for the reform of architectural education, the unprecedented expansion and replanning of the Parisian urban fabric carried out by the government of Charles de Gaulle, and the domestication of military and industrial technologies by an emerging consumer society. The group’s collaborative publications included the work of Jean Aubert, Isabelle Auricoste, Jean Baudrillard, Catherine Cot, Charles Goldblum, Jean-Paul Jungmann, Henri Lefebvre, Rene Lourau, Antoine Stinco, and Hubert Tonka. Offering a militant alternative to professional urban planning journals, these writers not only formulated a critique of the technocratic and administrative rule over a disabled and alienated urban society but also projected an ephemeral urban poetics.
With ties to the Ecole Nationale Supérieure des Beaux-Arts (ENSBA) in central Paris and to the sociology department established by Henri Lefebvre at the suburban campus of Nanterre, the group challenged postwar modernization and urban planning and questioned the roles into which architects, sociologists, and urban planners had been cast. Utopie makes the group’s diverse body of theoretical work accessible in English for the first time, offering translations of more than twenty key texts. Designed in a facsimile format that follows the innovative graphic layouts of the journals, pamphlets, posters, and articles produced by Utopie, the volume not only provides the first thorough overview of the group’s activities but also seeks to capture Utopie’s linkage of architectural and urban theory to radical publication strategies.

Semiotext(e)

€30

Allerseelen





































Allerseelen / Alexander Binder

In this second book by Alexander Binder we discover a phantasmagoria of mystical images.
Alexander Binder has seamlessly managed to blend crystal rainbows with even the most arcane and dark twilights and thus once again constructing a world of haunting beauty and mysticism!

Mörel Books

€20

The Wedding





































The Wedding / Boris Mikhailov

Challenging and provocative, Mikhailov’s photographs document human casualties living in post communist Eastern Europe after the demise of the Soviet Union. They are unflinching and ruthless depictions of poverty and the homeless (also known as Bomzhes) living in the margins of Russia’s new economic regime without social support or care. This series presents a simulated wedding between two homeless people often naked and in sexual poses, set amongst their own surroundings.
Mikhailov’s photographs, often presented in these wry even humorous situations, only add to the absurdity of this tragic life. The onlooker experiences feelings of empathy and disgust as they guiltily absorb the content of these engaging yet horrifying pictures, peering into an unknown world of madness, destitution, longing and death in an un-redemptive portrait of outcast humanity.
“The Wedding” is bound in imitation of a traditional wedding album, with faux-leather and gold-debossed lettering designed by calligrapher John Stevens. It is further finished off with a text by Adrian Searle.

Mörel Books

€45

Apartamento #8



















Apartamento #8

Featuring:
Marcelo Krasilcic / Nathalie Du Pasquier / Beda Achermann / Faye Toogood / Rafael de Cardenas / Brian Janusiak and Elizabeth Beer / Pilar Benitez Vibart / Cosimo Bizzarri / Michael Stipe / David John / Victoria Camblin / Julie Cirelli / Thea Slotover / Ben Rivers / Patrick Parrish / Athena Currey / Alexander Heminway / Makoto Orui / Valentine Fillol-Cordier
Plus: everyday life kids supplement with Olaf Breuning / Phillipe Parreno / Javier Mariscal and Mike Meiré

€12

Complete Writings 1959–1975



















Complete Writings 1959–1975 / Donald Judd

Donald Judd’s uncompromising reviews avoid the familiar generalizations so often associated with the styles emerging during the 1950s and 1960s. This book is not a mere survey of the art produced and exhibited during that period. Instead, Judd discusses in detail the work of more than 500 artists showing in New York at that time and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland and Claes Oldenburg. The essay “Specific Objects” (1965), which by now is considered one of the essential discussions of sculptural thought in the ‘60s, is included as well as Judd’s notorious polemical essay, “Imperialism, Nationalism, Regionalism” (1975), published here for the first time. Accompanying the text are 300 reproductions as well as an extensive index.

Nova Scotia College of Art & Design Press

€55

White. Book 4



















White. Book 4 / Samuel Ostermann

€10